Always Worth More Dead

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"Hollywood is a place where they'll pay you a thousand dollars for a kiss and fifty cents for your soul. I know, because I turned down the first offer often enough and held out for the fifty cents."
— Marilyn Monroe

the price of fame....this is something that's been rolling around in my head that i wanted to go ahead and type out. this is just a quick post in the midst of an intense course of schoolwork and other personal duties. i'm trying to wrap up that alejandro post, the beyonce as Oshun pt. 2, and other posts...bear with me.

is it worth it?

a theory that makes sense to me is that alot of these so-called illuminati pawn celebs are merely "playing the game"...to what end? some may "play the game" simply for the material gain and the "love" and adoration hat may replace their formerly depressing lives i.e. poverty, obvious abuse/trauma if MK is involved, and, sadly, even if not officially MK'ed as there is so much physical and sexual abuse in even "normal, everyday" people's homes....many of these celeb, we know, have had their life stories doctored up for them, and it's hard to tell the real from the fake (i.e. was jay-z really the sad, poor, negro who sold drugs to put food on the table? many suggest he is a "pussy ass nigga" who never sold a lollipop, has familial connections to the actual Rockerfellers, and never sweated a day in his life because he sold out quickly or was already being primed to be "in the circle")....nevertheless, whether their stories are false or true, one may admit that anyone, having had a decent life or not, would appreciate an opportunity to have more financial stability and get to use any given talent they may possess.





let's take michael jackson for the following illustration. let's say he knew all about the demonic worship, the mk ultra, the trauma, being a tool to dumb down the masses and bring about a new secular order of filth and licentiousness and materialism...let's say he knew all that. but he still played along. granted, as a child being abused/raped by Papa Joe and others was not a game he wanted to play along with, nor did he ave a choice. but let's say when he got older, faced his fate, and weighed the immense burden of being a victim of that level of fame, that he said "it's okay. i'm in this position, i'm a slave to them, i'm being used to corrupt the minds of the masses through their manipulation of my image and talent....BUT i'll play on a little longer until i'm financially well enough off to protect myself and use the very fame they primed me for against them"

a person of mj's status and influence was very valuable to the illuminati: he was and still is a GOD among men/stars/performers. he could wink his eye and it would be the next best thing since the crucifixion. (don't get me started on mj's own crucifixion).....imagine him using that fame to spread a positive message?

yes, we know, we know. we've all seen the theories and rumors and evidences that his unrealized "This Is It" concert series was supposed to be a grand unveiling and warning to all of us on several conspiracies he was no doubt privy to.

so. imagine you were in that position. you've been tortured for years, decades, been a slave to the corporations, committed unthinkable acts, and have to live with the guilt that your very fame is the very thing that is helping the masses of this world turn away from the truly divine, to worship money, possessions, and entertainment figures. mj as the devout man he no doubt was, i'm sure was haunted by this fact.

BUT does it balance out? when he sings "heal the world" and "earth song" and "they don't really care about us" and "will you be there?", does it balance out "bille jean", "rock with you", and "beat it", as well as "thriller" which i've heard somewhere was a veiled reference to his sexual prowess lol....









"Why You Wanna Trip On Me"

They Say I'm Different
They Don't Understand
But There's A Bigger Problem
That's Much More In Demand
You Got World Hunger
Not Enough To Eat
So There's Really No Time
To Be Trippin' On Me

You Got School Teachers
Who Don't Wanna Teach
You Got Grown People
Who Can't Write Or Read
You Got Strange Diseases
Ah But There's No Cure
You Got Many Doctors
That Aren't So Sure
So Tell Me

Why You Wanna Trip On Me
Why You Wanna Trip On Me
Stop Trippin'

We've Got More Problems
Than We'll Ever Need
You Got Gang Violence
And Bloodshed On The Street
You Got Homeless People
With No Food To Eat
With No Clothes On Their Back
And No Shoes For Their Feet

We've Got Drug Addiction
In The Minds Of The Weak
We've Got So Much Corruption
Police Brutality
We've Got Streetwalkers
Walkin' Into Darkness
Tell Me
What Are We Doin'

To Try To Stop This

Why You Wanna Trip On Me


was it worth it?

do you risk the martyrdom to attempt to spread the message, even if it is highly veiled in coded language only the awakened would understand anyone? do you preach to the choir? or console yourself by hoping even if the sleeple don't know exactly what you mean, the small bit of awareness/positivity may reach them still (every little bit counts, doesn't it?) like erykah badu said:

i'm tryna give birth to church
but everybody wanna ask this Earth [badu is a member of the nation of gods and earths aka 5%ers]
"what good do your words do
if they can't understand you?
don't go talkin that shit, badu"



Erykah, "do some ho shit"....indeed, Erykah...are you skirting the edge now?

Some contributions (besides the one fan video above) from her new baby daddy:





A song he released before Michael's death:



but, you must admit, mj is the only one of his level of fame in our current generation speaking out about the environment and the harrowing social issues we face in the real world while everybody else wants us to just dance

but does it realy sink in? do people really remember his social messages, the album cuts? no, most people asociate mj with crotch-grabbing, shirt ripping, "hee-hee" moonwalking, and a kid who apparently wasn't his....they say "that boy was strange and looked like a mutilated old white woman but he SHO COULD DANCE HIS ASS OFF"



Is this how we'll remember him in 5, 20, 50 years?



what happens to our martyrs when they end up on t-shirts, on coffee mugs, in "guitar hero?" their live and message and art is commercialized, capitalized off of and their souls made into kitsch, where we remember the face, the name , sometimes even the tabloids, but not who they really were....i know children today who don't know who kurt cobain was but can scream "oh that's my song" when a botched cover version of heart shaped box comes on guitar hero....girls in the clubs on that patron with marilyn monroe t-shirts 8 sizes too small suffocating their dd's but dont even know who she is or that she said:

"I've never fooled anyone. I've let people fool themselves. They didn't bother to find out who and what I was. Instead they would invent a character for me. I wouldn't argue with them. They were obviously loving somebody I wasn't."
— Marilyn Monroe


Even Jesus himself...look what they've done to him: castrated him, emasculated him, bleached him, put a long straight-haired wig on him (sounding familiar??), twisted his teachings, used his influence for bloody deeds, invoked his name in criminal acts, mocked him, laughed at him, disbelieved him, blasphemed him...

is it worth it? who's listening? who's remembering? who's re-membering Osiris?

Beyonce as Oshun Panchangara (part 1: aesthetics)

Oshun is also Pansaga Obirin (the Temptress, Prostitute) - who through her pleasures, can tempt man to risk the throne that he has, or inspire him to seize the throne of another.

I'd like to start off by linking to an essay I presented last semester in a class. Of course, due to page and reference length, it only scratches the surface of what I really wanted to say but I'll link it just to show how I felt about this concept BEFORE I dug deeper into illuminati/masonic Luciferianism and MK Ultra....

Here's a pretty good site giving decent explanations of some basics aspects of Oshun....

The pathway to sensual liberation is feeling comfortable in your own skin, comfortable enough to express and access power through your physical form, comfortable enough with your own nakedness. Oshun revels in the feel of Her body. She is fluid, like water; she loves to swim, dance, writhe naked and bathe naked. She’s fond of finer things and nice jewelry and loves the feeling of jewelry jangling on Her body. Oshun gets turned on by Her own image and loves to gaze at herself in the mirror. It is said She wears a mirror on Her belt so She can admire herself! If you are daring enough to explore your own body with the intention to love and appreciate it, let Oshun be your guide.

http://shawnacohen.tripod.com/thetribaltraditions/id63.html

This is my all time favorite performance of Erykah's. She is a child of Oshun, meaning Oshun is the orisha that rules her head, whom she shares attributes with, and whose mysteries she would learn if she were crowned/initiated....She seems to really channel the Oshun energy here, even a couple of times seeming to have Oshun descend upon her (watch for her holding her head and semi-grimacing: that ain't just a headache)

Here, this song seems to me to describe a woman without boundaries, the Sacred Harlot. The panties she lacks seems a euphamism for the inhibitions she lacks or the need to circumcise her sexuality in the face of propriety: she even exposes herself/unleashes her sacred sexuality in the church, in front of the repressive patriarchy that would have her bound. And her line "fellas if ya can't afford it, I think ya need to videotape record it" reminds me of Beyonce's "video phone" where she puts herself on display as the Image of the sex goddess for those who are not divine enough to really tangibly claim her and therefore would only desecrate her in their ignorance (i.e. "if you want to feel me, better be divine" in Erykah's "Kiss me" above)

Here Beyonce is channeling Oshun and Josephine Baker who, i feel, would have been a child of Oshun but more probably the Vodoun Erzulie Freda for reasons and specifics I won't go into here...notice the golds/yellows, Oshun's signature colors, the wild dancing indicative of Oshun and the coy, laughing sensuality

personally, I feel the Destiny's Child "Fulfilled" album/tour days and the B'Day album/tour era was the last time Beyonce was REAL. I feel she was much more human, warmer, still fake and ruthless and brainwashed but you could definietely see and feel more emanating from her, especially in her live performances. Nowadays it seems she's further descended into Luciferian realms and is totally soul-less and truly robotic as she continuously reminds us in her videos. But in B'day, I really felt Oshun's energy coming through, the African force whereas nowadays Beyonce seems much more dead and dry and a more "white" caricature of herself.

Notice during this medley, she endters dressed in all white, like a true santera or even an initiate. She ascends the pyramidal platform amidst the African drums as the Queen Bee she is (or Queen of the Bees, Oshun) with her followers/devotees. The song's choreography is indicative of a sexual ritual/orgy and you can see the Spirit feeding off of the increasingly hot energy from the dancers, beyonce herself, and the fans. You can see her getting "more into it" or "more Sasha coming out"...I always equated Sasha with Oshun anyway, before she gave it a last name and manufactured and caricatured it to where it is a soul-less mime of grotesque sexualkity now where it was before, during these days, more organic and joyfully teasing as Oshun does...

Now, Oshun has fully descended it would seem as she leaves her white garmet and bursts out in the gold of Oshun, covered, it seems, in the golden honey that is in the myths the metaphor for Oshun's sexuality as we see her glistening with sweat, glowing skin, and the honey-gold of her outift...notice at the end she says "ladies, get 'em" and the background dancers, her followers, then enact highly sexual solo dances of their own, much like the followers whose souls she takes in the Sasha Fierce and Demon Possession series on youtube and OrangeMoon's series concluding the same....

Sasha or Oshun?

Beyonce as Oshun Panchangara (part 1: aesthetics)

I'd like to start off by linking to an essay I presented last semester in a class. Of course, due to page and reference length, it only scratches the surface of what I really wanted to say but I'll link it just to show how I felt about this concept BEFORE I dug deeper into illuminati/masonic Luciferianism and MK Ultra....

Here's a pretty good site giving decent explanations of some basics aspects of Oshun....

Oshun is also Pansaga Obirin (the Temptress, Prostitute) - who through her pleasures, can tempt man to risk the throne that he has, or inspire him to seize the throne of another.

The pathway to sensual liberation is feeling comfortable in your own skin, comfortable enough to express and access power through your physical form, comfortable enough with your own nakedness. Oshun revels in the feel of Her body. She is fluid, like water; she loves to swim, dance, writhe naked and bathe naked. She’s fond of finer things and nice jewelry and loves the feeling of jewelry jangling on Her body. Oshun gets turned on by Her own image and loves to gaze at herself in the mirror. It is said She wears a mirror on Her belt so She can admire herself! If you are daring enough to explore your own body with the intention to love and appreciate it, let Oshun be your guide.

http://shawnacohen.tripod.com/thetribaltraditions/id63.html

This is my all time favorite performance of Erykah's. She is a child of Oshun, meaning Oshun is the orisha that rules her head, whom she shares attributes with, and whose mysteries she would learn if she were crowned/initiated....She seems to really channel the Oshun energy here, even a couple of times seeming to have Oshun descend upon her (watch for her holding her head and semi-grimacing: that ain't just a headache)

Here, this song seems to me to describe a woman without boundaries, the Sacred Harlot. The panties she lacks seems a euphamism for the inhibitions she lacks or the need to circumcise her sexuality in the face of propriety: she even exposes herself/unleashes her sacred sexuality in the church, in front of the repressive patriarchy that would have her bound. And her line "fellas if ya can't afford it, I think ya need to videotape record it" reminds me of Beyonce's "video phone" where she puts herself on display as the Image of the sex goddess for those who are not divine enough to really tangibly claim her and therefore would only desecrate her in their ignorance (i.e. "if you want to feel me, better be divine" in Erykah's "Kiss me" above)

Here Beyonce is channeling Oshun and Josephine Baker who, i feel, would have been a child of Oshun but more probably the Vodoun Erzulie Freda for reasons and specifics I won't go into here...notice the golds/yellows, Oshun's signature colors, the wild dancing indicative of Oshun and the coy, laughing sensuality

personally, I feel the Destiny's Child "Fulfilled" album/tour days and the B'Day album/tour era was the last time Beyonce was REAL. I feel she was much more human, warmer, still fake and ruthless and brainwashed but you could definietely see and feel more emanating from her, especially in her live performances. Nowadays it seems she's further descended into Luciferian realms and is totally soul-less and truly robotic as she continuously reminds us in her videos. But in B'day, I really felt Oshun's energy coming through, the African force whereas nowadays Beyonce seems much more dead and dry and a more "white" caricature of herself.

Notice during this medley, she endters dressed in all white, like a true santera or even an initiate. She ascends the pyramidal platform amidst the African drums as the Queen Bee she is (or Queen of the Bees, Oshun) with her followers/devotees. The song's choreography is indicative of a sexual ritual/orgy and you can see the Spirit feeding off of the increasingly hot energy from the dancers, beyonce herself, and the fans. You can see her getting "more into it" or "more Sasha coming out"...I always equated Sasha with Oshun anyway, before she gave it a last name and manufactured and caricatured it to where it is a soul-less mime of grotesque sexualkity now where it was before, during these days, more organic and joyfully teasing as Oshun does...

Now, Oshun has fully descended it would seem as she leaves her white garmet and bursts out in the gold of Oshun, covered, it seems, in the golden honey that is in the myths the metaphor for Oshun's sexuality as we see her glistening with sweat, glowing skin, and the honey-gold of her outift...notice at the end she says "ladies, get 'em" and the background dancers, her followers, then enact highly sexual solo dances of their own, much like the followers whose souls she takes in the Sasha Fierce and Demon Possession series on youtube and OrangeMoon's series concluding the same....

Sasha or Oshun?